Archive
Tag "Jon Contino"

Designer and typologist Jon Contino has been busy with his clothing label CXXVI, using his skills to help those in need, and bringing down a righteous hammer of wrath on Forever 21. He also recently tipped readers of his blog off to the greatest LEGO video I’ve ever seen.

Rosecrans Baldwin’s “Paris, I Love You But You’re Bringing Me Down” is due out in May.

^ ^ ^ ^ ^

Filmmaker Eliot Rausch is getting ready to kick off the second season of his Pass The Bucket series, produced on behalf of Vans.

^ ^ ^ ^ ^

Last but not least, Nitsuh Abebe’s just rolled out a fresh new column on rockism.

Read More

Jon Contino works with his hands. That might seem a simple matter of course given his chosen trade of commercial illustration. But in a field swiftly tilting towards the digital, a significant number of contemporary illustrators have dispensed with the traditional tools of the trade, swapping out their pens and pads for stylus and screen. At a time when the worlds of design and the visual arts have been upended and rethought in the wake of the advent of the computer, Contino is committed to doing as much of his work as he can with good old-fashioned pens and paper. In a world where everything from acne to misplaced lines can be whitewashed in Photoshop—a world in which we no longer trust our eyes—the ability to draw well is as rare as ever.

In addition to the Americana-themed bent much of his portfolio takes, Contino is best known for his hand-lettering. He creates fonts and scripts with the appearance of age; washed out phrases and words that look like they could have been pulled from an 18th century broadsheet or a ratty photocopier in some young punk’s basement. The demand for his services speaks to the creativity and ingenuity of his work, and to a vague yet persistent hunger for the tactile in modern American culture.

Contino imbues his hand-crafted alphabets, often seen accenting images from a canon of time-honored American symbols (boxing gloves, eagles, anchors), with a gritty, worn-out feeling; a ragged aesthetic that has struck a chord with a public fast developing a fetishistic relationship with physical objects. The less necessary physical objects become, the more we esteem them and those who can create them. Or, in Contino’s case, those who can render them in such a way as to make them seem grounded in the beautifully imperfect realities of the physical world.

Read More

As Ragged Band’s inaugural summer draws to a close I’ve continued to receive tons of positive feedback regarding the site’s interviews and profiles of young artistic lions like Dan Wysuph, Vern Moen, and Jordan Butcher. Thank you so much for swinging by, spreading the word, and showing a genuine interest in the talented men and women whose creative voices Ragged Band exists to amplify!

Summer might be winding down, but there’s plenty more fun on tap this fall. Our autumnal calendar is quickly filling up with a slate of incredible characters working across a range of disciplines, including the following diamonds in the rough.

– Fashion designer Michelle Williams founded Quail, her quixotic debut label, on little more than her mother’s sewing connections and a whole lotta drive. Our Silver Lake interview proved to be one of the most engaging of my journalistic career, with Mrs. Williams bringing unparalleled candor and vulnerability to topics including persistence in the face of crushing disappointment, navigating the fashion industry as a woman of color, and her marriage to Brett Williams, manager of indie dark horses, Foster The People.

– Illustrator Jon Contino seems a man born out of time and place. His hand-drawn fonts and lettering harken back to the golden age of illustration, decades before computers would vie with pen and paper for dominance in the quivers of commercial artists. We discussed the challenges faced by the children of the early 80s, many of whom are now working on the bleeding edge of Web 2.0 technology and media, and who constitute the last generation to have grown up without cell phones and the internet.

- Among the stories venerable television news concern 60 Minutes will be featuring this Sunday is a piece on the killing of Jeff Hall, the leader of a Southern California chapter of the National Socialist Movement. 60 Minutes’ coverage features footage taken by photojournalist Julie Platner.

After a period of time spent winning the NSM’s confidence, Ms. Planter was admitted entry to a cloistered world. Following Hall’s death at the hands of his own 10 year-old son, her photographs of the white supremacist group’s marches, rallies, and more mundane domestic moments were featured in the New York Times. I spoke with Ms. Platner about the time she spent with the NSM, the personal cost of her work, fear as an occupational hazard, and her upcoming gig with NPR.

Read More